We last saw The Wizard of Oz in Sheffield, with The Vivienne (RIP) as the Wicked Witch of the West. But I’ve a feeling we’re not in Sheffield any more. We clicked our heels three times and were transported to The Grand Opera House for York Stage’s latest show…

A talented and diverse cast bring the classic 1939 film and story to life, with dazzling costumes, stunning sets and plenty of energy. This production is faithful to the original, but also adds new songs and some modern lines to keep things fresh.
The audience went Dotty for our Dorothy, played by Erin Childs. She’s believable as a young girl eager for adventure, and the accent never grates. Vocally she excels, and is sensible not to just imitate Judy Garland.
This is the last…straw!
All the film favourites are here, and all missing a key personality trait they need help to find. As a foursome, the group is dynamic and they play off of each other with great comic timing. Each reprise of We’re Off To See The Wizard gets us toe-tapping along!
The dimwitted Scarecrow is played by Flo Poskitt, who milks every brainless gurn and guffaw. Slapstick, clowning and plenty of funny lines – Poskitt wrings out every ounce of silly. Like a scarecrow that has won awards, she’s out-standing in her field!
Stu Hutchinson’s Tin Man is part C3PO, part Robot Redford from The Pink Windmill Club (remember that?) His performance is more than a little robotic, and I mean that as a compliment. Singing, dancing and even tap-dancing, Hutchinson is a consummate performer. This was one of my favourite costumes too, with a steampunk vibe and a tip-top hat. Hats off to the design team.

Our lion might be cowardly but there’s no stage fright here! Finn East gives a roar-some performance, and is made for the part. His rendition of If I Were King of the Forest is his ‘mane’ crowd-pleaser.
Which witch is which?
Carly Morton’s Glinda is saccharine sweet, and an excellent singer. She gives one of the most contrasting performances, between Aunty Em and the Good Witch of the North – to the point that I was surprised it was the same actress.
How to describe the Witch of the West’s performance? Wicked! Emily Alderson strikes a balance between sinister and sassy. Her demise could be more magical, but it’s a tricky effect to achieve without an illusion consultant. Ian Giles as the Wizard (and Professor Marvel) is likeable and charming, and suitably imposing as his Emerald City alter-ego.
A huge ensemble burst with energy and enthusiasm too, and there’s some slick choreography courtesy of Damien Poole. A live band led by Jessica Viner is a treat too.

Who’s a good boy?
Special mention to Toto aka Freddie. This canine cohort – bribed with bacon bites – has the ‘aww factor’ and delights with every tail wag. In Oz, there’s a puppet pooch but it’s the real one that gets the kudos. Sarah Jackson does an admirable job bringing the cloth canine to life though.

A Whirlwind of Entertainment
The team don’t skimp on effects, and the tornado is a highlight that’s more inventive and creative than we’ve seen before. No spoilers, but it’s a really up-lifting moment!
Projection is utilised cleverly, but thankfully not overused, and the booming reveal of the Wizard himself features a modern twist. Monkeys fly, pyros burst, and poppies bloom in the most fan-tastic way.
On this opening night, there were no missed lines or dropped cues. Even when bits of costume fell to the stage, they were quickly and efficiently whipped away by the diligent cast. In truth, some elements worked better than the large-scale touring production – especially that tornado scene which reached dizzying heights.
This is an ambitious production for any company to stage, especially a semi-professional one. Like a lubricated Tin Man though, this is a well-oiled machine full of theatrical magic!

The Wizard of Oz runs until September 20th. Follow the yellow brick road to the Grand Opera House website and book your tickets at https://www.atgtickets.com/shows/the-wizard-of-oz/grand-opera-house-york/

Disclaimer: Tickets were kindly provided for this performance, however all opinions are honest and are our own.
