The Selfish Giant, Friargate Theatre, York, September 2026

As summer draws to a close, we packed up our deckchairs and went to see Riding Lights latest children’s theatre offering of Oscar Wilde’s The Selfish Giant…

Photo credit Charlie Kirkpatrick

Arriving to a stage shrouded in dust sheets, children were enlisted to help tidy up and we were soon welcomed into the Giant’s garden. The task at hand? Reminding a rather grumpy Smog how much fun it is to tell stories and learn a little about himself along the way.

In this two-hander, Jared More and Matthew Rutherford embody a host of fun and silly roles over fifty-five minutes. Both are engaging and enthusiastic throughout, and kept this audience’s attention span effortlessly. Whilst more suited to younger children perhaps, toddlers through to 11-year-olds at this performance were equally transfixed. No calls of ‘I’m bored’, tears or or restless shuffling.

Photo credit Charlie Kirkpatrick

More has boundless energy as the affable Miff, adding excitement and joy to the frantic Garden Games, which rely on audience participation. He later brings a quiet thoughtfulness to The Boy – puppeteered beautifully, and connecting well with younger members of the audience.

Rutherford perfectly portrays grumpy giant Smog, who normally revels in storytelling but becomes lost and needs help to discover his joy once more. Never scary of overbearing, these “snotty, grotty, picky-nosey, scratchy botty” kids loved him!

Accents and costumes change seamlessly, and we’re treated to a varied roster of characters. Our personal favourites were Daffy and Dill – sassy flowers who love a bit of gossip. And as for the floral puns? Blooming brilliant!

Photo credit Charlie Kirkpatrick

Like all good children’s theatre, the interaction is plentiful and all children were involved who wanted to be. From the get-go we were all invited to be part of the action – uncovering the set, planting windmill flowers and watering the emerging garden.

The aforementioned Garden Games offer even more onstage fun; often frantic but always well-managed. In a two-player game, a third child wandered onto the stage – a moment that would throw many less experienced performers. No issues here though – without missing a beat they made her head cheerleader from the sidelines!

This duo really shines by encouraging audience participation, without ever forcing it. Their own infectious enthusiasm and confidence creates a safe space for all ages to join in, without fear of looking silly or ever being the butt of the jokes.

Anna Gooch’s set and prop design inventively uses everyday objects to transform both the stage and characters. From a hatstand and stripped-down umbrellas for a tree, to the simple use of white dust sheets for snow and ice. A kazoo-wielding bee is a stroke of genius, and a firm audience favourite. What a buzz!

Director Paul Birch breathes new life into this Riding Lights revival – adding some beautifully poignant moments between the daft antics. There are many children’s theatre staples, including live music, bubbles, water pistols, and plenty of surprises. Patrick Burbridge’s original songs add to the joyful atmosphere.

Photo credit Charlie Kirkpatrick

At just under an hour this is the perfect length for pre-schoolers, and is advertised as especially suitable for ages 3-10 years. Our ten-year-old thoroughly enjoyed it, more than he expected to, and loved the interactive elements – even joining in on stage twice.

Theatre can create a divide between stage and audience, but not here…Riding Lights breaks downs barriers, and it would be Selfish not to let the eager children play!

The Selfish Giant is children’s theatre done right – equally captivating, engaging, colourful and thought provoking.

A tall tale, told well. Fee Fi Fo…FUN!

The Selfish Giant runs at Friargate Theatre in York until Saturday 5th September, and then embarks on a UK tour. How to book? It’s no tall order! Visit www.ridinglights.org/theselfishgiant

Photo credit Charlie Kirkpatrick

Tickets were kindly provided for this performance, however all opinions are honest and are our own.

Awful Auntie, Grand Opera House York, September 2024

We’re no stranger to the stage adaptations of David Walliam’s bestsellers. Gangsta Granny, Billionaire Boy, Demon Dentist…you name it, we’ve probably seen it. We had high hopes for Awful Auntie as we know that, when it comes to children’s theatre, Birmingham Stage certainly don’t just…phone it in!

Awful Auntie is whodunnit tale of murdered parents, a comatose niece and a bumped off chimney sweep-turned-cockney ghost. Add a barmy butler, a few fart jokes and a smattering (or should that be splattering?) of toilet humour, and you know what to expect. 

Neal Foster’s Auntie Alberta is like the lovechild of both Rik Mayall and Ade Edmonson, with a little Monty Python thrown in too. Delightfully dastardly, Foster never strays into panto dame territory and would make an excellent Miss Trunchbull. Truly awful in the best possible way, but also unlikely to cause any nightmares.

Annie Cordoni plays Alberta’s niece Stella, and has plenty of childlike enthusiasm. She’s feisty too, and doesn’t stand for any injustice. The audience are quickly on her side and we’re all rooting for her to save the day!

That’s the Spirit

Stella soon partners up with cheeky-chappie ghost Soot (Matthew Allen) to try and scare Alberta out of the house before she gets her hands on the title deeds (or ‘deedy weedies’) Allen is instantly likeable in the role, and our boys enjoyed sleuthing out his cockney rhyming slang. He has some poignant moments too, and delivers them sincerely.

Zain Abrahams butler Gibbon is like the circus clown who comes on for a quick skit between acts. Each gag or prop joke here is well executed though, and they certainly add comic relief! Abrahams bumbles around and relishes each moment of buffoonery.

Puppetry is used throughout to great effect. Puppet Captain Emily Essery manipulates Wagner the owl in various forms, landing the bird on Alberta’s arm or swooping it over the audience with ease. This wandering Wizard now wants an articulated owl puppet of his own!

Adorable miniature dolls of Soot and Auntie are well received, and movements are precise and expertly choreographed. Puppet designer and director Yvonne Stone has done wonderful work here, and a cliff-hanger of a scene between mini Stella and Auntie is inspired!

Vrrroom with a View

Jacqueline Trousdale’s set design is excellent, and really captures the grandeur of Saxonby Hall. There are some great set-pieces, from Stella’s parents car, a snow owl and a giant booby-trapped cage that tortures whoever is inside.

Unfortunately our performance had a breakdown of it’s own, and was briefly halted due to technical issues with the set. Hopefully this was just opening night teething troubles at a new venue. Speaking of first nights, the cast here did remarkably well to maintain the atmosphere with a very small audience. It didn’t seem to faze the performers when they weren’t getting the big reactions of a fuller house.

Just Desserts

Good for all ages? There’s an overriding theme of death, murder and betrayal, but we didn’t find it nearly as dark as The Demon Dentist. Music is dramatic and creepy at points but sets the scene perfectly, and there’s lots of silliness to keep things light. A highlight is when Alberta gets her comeuppance in a series of pranks set by Stella and Soot. No spoilers, but it’s a delight to see the calamity unfold!

Our eldest (11) particularly enjoyed this show over others, and it was my favourite David Walliams adaptation so far. It’s quite different to previous shows, and less formulaic – there’s no Raj the shopkeeper, no songs, and no audience participation. Awful Auntie stands out in its inventiveness though – with clever theatrics, brilliant puppetry and a genuinely engaging plot with plenty of twists and turns. 

Awful? Hardly!

Awful Auntie runs until Sunday 29th September in York, before continuing the national tour. Book your tickets at www.atgtickets.com/shows/awful-auntie/grand-opera-house-york/

Disclaimer: Tickets were kindly provided for this performance, however all opinions are honest and are our own.