Kevin!!!, Edinburgh Festival Fringe, August 2026

When we heard that a puppet-based retelling of one of our favourite films was coming to the Edinburgh Festival Fringe, we slapped our hands to our cheeks and made a wide expression of shock. Based on the 1990 hit film, Recent Cutbacks breathes new life into the Christmas classic Home Alone...

Kevin!!! mixes technology with puppetry and live action. Cameras capture the action both against a blue screen and in miniature for close-ups. A large screen shows handmade figures, Barbie dolls and even Mr and Mrs Potato Head, deftly dangled into cardboard sets. This is the kind puppetry you probably did as a child, wiggling figures about and giving them silly little voices…

With limbs flailing, the larger hand puppets are delightfully daft and often taken into the aisles and used at height so everyone can see. Burglars Harry and Marv are snake-like sock puppets with bulging eyes, and neighbour Marley (“Creepy Old Man”) is a hideous old crone. Kevin himself is the stand-out, with the sassy eight-year old immortalised perfectly in fluff and foam. 

The McCallister house is brought to life with ramshackle boxes rotated in and out of shot, revealing micro surprises like a crayon four poster bed and the best possible use of a hinged hair clip! Live foley sound effects add an extra layer of fun. Special mention to Richard Sears for acapella vocals with some really high notes!

Kevin!!! is a work of genius, and there are plenty of inventive moments that get big laughs. No spoilers here, but John Candy’s Polka-promoter is particularly inspired, and Kevin’s zip-line escape towards the end is a treat. All the tricks and traps set by the burglars are here, and even Buzz’s pet tarantula features (black glove with eyes on, simple but effective!)

All your favourite scenes are here, with very little cut to save time. It’s essentially a shot for shot remake of the film, with some wiggle room for parody and artistic licence. The whole cast work tirelessly to bring the movie to life, and any minor mistakes are cleverly referenced rather than awkwardly ignored.

The hour flies by quicker than a plane to Paris, and we enjoyed it immensely. It helps if you know the source material well, but even if you don’t you’ll appreciate the surreal silliness and technical wizardry. Book now, ya filthy animals!

Kevin!!! runs until August 31st. Information and booking at https://www.edfringe.com/tickets/whats-on/kevin

Recent Cutbacks are also presenting Hold Onto Your Butts (based on Jurassic Park) and Fly You Fools (Lord of the Rings) Sadly we couldn’t make these too, but imagine they’re of the same calibre. Worth checking out!

Charlie and the Chocolate Factory, Joseph Rowntree Theatre, November 2025

York’s NETheatre bring another classic story to the stage, with their new production of Charlie and the Chocolate Factory. Is it just the ticket? Find out below!

Alice Atang played Charlie, one of several children playing the impoverished Bucket boy, or in this case girl. She stood out as an especially strong actor, not just acting but also reacting. A talented singer too, her duet with Wonka in the elevator was a triumph. 

All of the tickets winners are well cast, suitably brattish and greedy. We especially enjoyed Toby Wood’s (no relation!) Augustus Gloop, complete with comically-oversized belly and on-point German accent. Zehr gut!

Their suffering parents are excellent too, with special mention to Perri Barley as Mrs Teavee, who downs her ‘mummy water’ from a hip flask to cope. Almost-dame Mrs Gloop (Chris Hagyard) is hilarious too, especially in More of Him to Love

Grandpa Joe (NE Theatre’s Creative Director and Producer Stephen Tearle) is delightfully endearing, and has some of the funniest lines. His relationship with Charlie is believable, and we’re rooting for them to win the grand prize. 

All the ensemble performers work hard and are good at covering any first-night blips and teething troubles. It’s a company effort, and the community feel of NETheatre shines through. 

But what of Our Wonka? Kit Stroud captures the eccentricities of the role well, and excels in the Act One close It Must Be Believed To Be Seen. A strong singer and engaging character actor, he doesn’t go as dark as Wilder or as weird as Depp. His Yorkshire shopkeeper candyman is clever, but meeting Wonka in the opening scene meant we missed the big reveal of the chocolatier that we were expecting. 

We’re treated to a live band, who hit all the right notes. This is the musical version of Charlie, which first premiered in the West End and has toured the UK. Interestingly though, there are also some film classics added such as Candy Man and I’ve Got a Golden Ticket. Pure Imagination is an audience favourite. 

The set is mostly projected, which is a smart choice for a non-professional company with a limited budget. Physical set-pieces add depth at points, from the Bucket family bedroom to whirring machines, a bathtub boat and even the iconic glass elevator. Effects like smoke, bubbles and lasers all add to the theatrical magic too.

Costumes work well overall, with plenty of colour and sparkle. The Oompa Loompas are cleverly realised with a variety of outfits to show off their diminished height! 

Good for families? Absolutely! Although worth mentioning that the demise of some of the ticket winners is a little less ‘sweet’ than in the films. No blood and gore though, and still all very silly. Expect toe-tapping songs, feelgood fun and no high ticket prices to…burst your bubble! 

The Joseph Rowntree Theatre is an ideal space for this production too, with great seats and a friendly, welcoming front of house team. Snacks and refreshments are on offer too including, you guessed it, chocolate!

We’ve seen professional productions of Charlie and, whilst it’s hard not to compare, the NETheatre team are full of energy and enthusiasm, and clearly loving the experience. 

Support local theatre and book your golden ticket at www.josephrowntreetheatre.co.uk

Disclaimer: Tickets were kindly provided for this performance, however all opinions are honest and are our own.