Here and Now – The Steps Musical, Grand Opera House York, February 2026

Last night we were teleported back to the 90s for a blast of pop-tastic nostalgia with Here and Now – The Steps Musical.

This isn’t the sort of show we normally go and see, in fact it was The Last Thing on my Mind. A musical masterpiece, or Better Best Forgotten? Find out in 5, 6, 7, 8…

Steps produce this jukebox musical, but it isn’t a biographical story of the band. Instead, think Eurovision meets Supermarket Sweep…

The action takes place in fictional Better Best Bargains. With her 50th birthday approaching, shopworker Caz challenges her colleagues to fix their broken love lives, during what she dubs The Summer of Love. 

The narrative covers themes of broken relationships, affairs, and even baby loss. But if you’re not One for Sorrow, don’t worry – the plot feels more like a thread to hang the songs on. Some tracks fit, and others are clearly shoehorned in – with mixed results. Western hoedown 5, 6, 7, 8 is the most tenuous, but a real crowdpleaser nonetheless.

Photo credit Pamela Raith

All the hits are here, often presented with nods to the original choreography. There are lesser known songs too…although a few are not so Hard 2 Forget. A preshow announcement about not singing along is a smart move, as this isn’t a concert and the excellent vocals and live band deserve to be heard unaccompanied.

The large cast fizz with energy and there’s plenty of talent on stage. We were thrilled to see Lara Denning as Caz; an absolute powerhouse performer who we loved as Anne Hathaway in &Juliet. Denning is effortlessly likeable and warm, and with possibly the best vocals we’ve heard on stage. A true asset to the show.

Photo credit Pamela Raith

Also from &Juliet, Rosie Singha Steps up from ensemble to lead, and plays Neeta. Singha is engaging, and has solid vocals and a believable chemistry with love interest Ben (Ben Darcy) 

Jacqui Dubois as Vel nails the down-to-earth, chatty supermarket shelf-stacker. Naive Robbie (Blake Patrick Anderson) hasn’t known love and is scared to commit when he meets a local drag legend. Store manager Patricia (Sally Ann Matthews) keeps the workers in check, and gets laughs with cheeky lines and an attempt at French.

Ru Paul’s Drag Race favourite River Medway plays Jem, and we’re treated to a full drag routine in the second act. Medway milks every moment, and has some of the standout costumes of the show. The character is delivered with heart, especially during the more poignant scenes. 

Photo credit Pamela Raith

Tom Rogers set design is striking, rife with Steps signature blue and pink motif. What it lacks is variety though; visually the show looks similar throughout, and the supermarket setting can look cheap at times. Maybe it was marked down? Perhaps the budget look is intentional, but we’ve been spoilt with the production values of jukebox shows like We Will Rock You

That being said, fans won’t be booking for a sumptuous set or complex plot. Ultimately, if you’re a follower of the band, there’s plenty to enjoy here. A trip down musical memory lane, for those old enough to remember…

Photo credit Pamela Raith

Here and Now is a few hours of camp, colourful fun. The inevitable megamix triggers a Chain Reaction that has this enthusiastic audience on their feet. Steps fan? Listen to these Words of Wisdom. Missing it would be a…you guessed it…Tragedy.

Step-tacular!

How to book? Here! When? Now! https://www.atgtickets.com/shows/here-and-now-the-steps-musical/grand-opera-house-york/. Runs until Sunday 15th February 2026.

Photo credit Pamela Raith

Disclaimer: Tickets were kindly provided for this performance, however all opinions are honest and are our own.

Sister Act The Musical, Grand Opera House York, May 2024

What do you call a nun with a washing machine on her head? Sister-matic! Now that old joke is out the way, on with the review…

Nun’s the Word

Sister Act follows the story of club singer Doloris Van Cartier. Witnessing her gangster boyfriend shoot a man, she suddenly finds herself hiding out undercover in a convent whilst waiting to testify in court. This un-convent-ional nun has a lot to learn about the sisterhood, but soon uses her vocal talents to raise the (church) roof, both figuratively and financially.

Landi Oshinowo play Doloris. Can she sing? Oh sister! Oshinowo belts the showtunes, and is a vocal powerhouse throughout. Comparisons to Whoopi Goldberg are perhaps inevitable – and it’s a tough act to follow – but she makes the role her own and has plenty of sass.

Back in the Habit

Coronation Street icon Sue Cleaver returns to the stage after thirty years, to play Mother Superior. She brings a real warmth to the role and has great comic timing, a smart casting choice! Cleaver switches seamlessly from comedy to the desperate frustration of Dolores’ unholy influence on the straight-laced sisters.

Extra comedy ensues from the gaggles of nuns – ranging from the very old to to cranky, timid and, later, funky. Isabel Canning excels as over-eager evangelist Sister Mary Patrick. Canning is a ball of biblical energy and her enthusiasm is infectious. Sister Mary Robert (Eloise Runette) delivers a beautiful rendition of The Life I Never Led, and we really share in her joy at finally being let loose.

Alfie Parker’s Eddie Souther or ‘Steady Eddie’ gets some of the biggest laughs, and is the underdog we’re all rooting for. The romantic subplot between him and Deloris feels a little tacked on, but I Could be That Guy is sensational and has a very clever costume change.

Divine Inspiration

Morgan Large’s clever set design revolves around a huge stained glass window, lit to change in more colours than Joseph’s coat. Altar boys whisk set pieces on and off to transform the space from everything to a seedy back alley and nightclub to the nun’s cloisters, a police station and more.

The pace seems a little sluggish in the second act, and some of the songs are forgettable. Sadly, film favourites such as I Will Follow Him are missing, however this might be down to licensing rights. Niggles aside, the production builds to a satisfying finale and has many audience members on their feet and dancing in the aisles.

Overall this is a slick and polished show with production values worthy of the West End. Led by musical director Tom Slade, the live orchestra sounds divine and really lifts the score. The large cast work tirelessly and we’re treated to some tight choreography and strong vocals.

MAGIC RATING

VALUE FOR MONEY

OVERALL

Get thee to a nunnery (or The Grand Opera House Box Office) and book your tickets now! Sister Act The Musical runs in York until Saturday 11th May, booking at https://www.atgtickets.com/shows/sister-act/grand-opera-house-york/

Further tour dates and booking links at www.sisteractthemusical.co.uk

Disclaimer: Tickets were kindly provided for this performance, however all opinions are honest and are our own.